By Tatiana Tate
As season 2 of BMF comes to a close, the audience is left on the edge of their seats with
countless burning questions. A big cliff hanger being the fate of Lucille and Charles’s
relationship. Not only do we see a drastic change in Lucille’s attitude towards Charles, after
learning of his infidelity, but her fashion sense seemingly elevates as well. Michole White, the
incredible talent behind Lucille Flenory, proves that there’s a whole lot of hidden sex appeal
beneath those modest church skirts.
“You see a lot of Lucille changing it up with her style and trying to open up and show a little
cleavage sometimes you know,” said Michole as she reflected on Lucille’s character arc in
season 2.
“She’s taking chances [next] season and giving herself permission to do some other things
which I think is well deserved,” she added.
Michole also gave us a sneak peek into how the relationship dynamic between Charles and
Lucille will shift in season 3.
“It definitely shifts a lot with Charles. I’m standing my ground a lot more and there’s a lot of
things to question about the relationship because he really put a dent in what we had. Again,
Lucille is really stepping into her power with everyone,” Michole explained.
Expect To See More Of Nicole Flenory In Season 3
Laila Pruitt’s character Nicole has played a dynamic role in the series as she is the glue that
holds her loved ones together. Although it looks as if she plays the sidelines, through all the
chaos, Nicole Flenory is the voice of reason for her family. As viewers, we watch Nicole grow
before our eyes. Now she will be stepping into her own.
“Everything from Nicole’s fashion choices that she’s making now… to the decisions that she
makes, the friends that she has. You’ll sort of see a little bit more of her social life this season,”
Laila tells us.
“Her brothers and their well being, and being worry about them and being loyal to them never
leaves her mind but she sort of puts herself first this season and we see her reclaim her time a
little bit,” she added.
